Pounding rice (mochi tsuki) and rabbit hare

[ . BACK to Worldkigo TOP . ]

Pounding rice (mochi tsuki, mochitsuki)

***** Location: Japan, Philippines, other areas
***** Season: Mid-winter
***** Category: Humanity


pounding rice, mochi tsuki (mochitsuki) 餅つき
song for pounding rice, mochi tsuki uta 餅つき歌

having your rice pounded for a fee, chin mochi 賃餅
spreading the pounded rice, noshi mochi 熨斗餅
cutting the spread rice in squares, mochi kiru 餅切る
straw mat to lay the ready dumplings on,
mochi mushiro 餅筵

Pounding rice for small rice dumplings (sometimes translated as "cakes", but they are not sweet at all) is a ubiquious sight all over Japan during the few days before the New Year. It used to be done in a wooden or stone basin with a large wooden mallet, but nowadays many families use an electric appliance, although complaining that the taste is just not the same. The rice dumplings are put in the special soup on the first of January (zooni, see below) and the round rice dumplings are seasonal offerings for the Gods (kagami mochi, see below).

Pounding rice and preparing soup or dumplings and cakes is quite fun and the big local event at our grammar school is a get-together of the whole mountain village community.

People in Edo who could not pound their own mochi used professionals to make
hikizuri mochi 引き摺り餅 with common tools and rice provisions.

source : edococo.exblog.jp
. Doing Business in Edo - 江戸の商売 .

The round mochi were the fore-runners of the money gifts, o-toshidama

. o toshidama お年玉 New Year Treasures.

More kigo are given below.

Gabi Greve


Mochi is finely ground cooked rice pressed into shapes. This creates soft, chewy shapes which can be used in sweet and savory foods. If kept, they form hard blocks, which can be stored until they are needed. Mochi is also combined with roasted soy bean flour (kinako) or sweet bean paste (anko) to make traditional Japanese sweets.

Traditionally, making mochi is a group activity. Village people sat together, hand-pounding the rice with a wooden mallet (kine). According to Shinto tradition, each grain of rice represents a human soul, so the process was reflective and self-purifying for the whole community.

In the West, when we look at the moon, we see a man on it. The Chinese see a rabbit, pounding magical herbs to make the elixir of eternal life. The Japanese, with their love of obscure wordplays, envision the same rabbit pounding rice to make mochi. The name of the full moon is “mochizuki”, while “mochitsuki” means “making mochi”.

The rice dumplings are extremely sticky and difficult to swallow, and many people choke to death on them every year. The New Year is a particularly dangerous season, because many people eat o-zooni, a traditional soup containing mochi, which is served on New Year’s Day. Newscasts feature an annual “death toll” of all the old or drunk people who bit off more mochi than they could chew. In one case, a 70-year-old man was saved from a glutinous death by his resourceful daughter, who used a vacuum cleaner to remove the hazardous blob he was choking on.


The Hare (Rabbit) in the Moon

The Universe and Human Life
By Daisaku Ikeda

In recent years, ever since man began launching satellites into space, his ideas about the universe have been undergoing a profound though little noticed change.

The science of astronomy has existed since ancient times, yet when we as children in Japan looked at the full moon, we invariably saw in it the image of a rabbit pounding glutinous rice to make rice cakes because that was what the adults had told us existed in the moon. The adults, we learned later, had told us a lie. But even the adults, when they looked at the full moon, particularly in the Autumn, probably had thoughts almost as stereotyped as ours, thoughts like those expressed as early as the Heian period by the ninth century poet. Oe no Chisato in his famous verse on the full moon:

When I gaze at the moon
All things seem sad
Though I know the Autumn
Comes not to me alone.

Read the rest here:

Safety Copy is here:

source : us6.campaign-archive1.com
Tomita Keisen (1879-1936)

The poem on the hangning scroll reads:

Clearly I can see -
The sacred rabbit
is pounding tea leaves.

Worldwide use

Things found on the way

Japanese Link with detailed story about the Chinese and Japanese version of the Hare in the Moon.



A local wooden toy from Kanazawa 金沢 餅つき兎

CLICK for more photos !


. Ishikawa Folk Art - 石川県 .


The Real Rabbit in the Moon

"The bunny's two ears point up from New Zealand but point down when seen from England, so many northern people do not recognise our familiar moon rabbit.
However, Maya Indians are supposed to have recognised the moon rabbit.
The Rabbit is made of black moon lava."

© Photo by by John Wattie, NZ

More of his photos are on this LINK

There is another moon photo about this on a Japanese page, where you can see the rabbit pounding rice:


heaven kigo for all autumn

gyokuto 玉兎(ぎょくと)
"treasure hare", treasure rabbit

tsuki no usagi 月の兎(つきのうさぎ)
hare in the moon, rabbit in the moon

. Tamausagi - The Treasure Hare from Gassan, Yamagata

. Lady Chang-O, The Moon Lady .
Jooga 嫦娥 Joga, Chang'e // Kooga 姮娥 Koga, Heng'e
She has the 玉兔 tama usagi pound medicine for her in the moon.


Mani Moon Hand, gessei manishu
月精摩尼手 (げっせいまにしゅ)

CLICK for original LINK !

Gakko Bosatsu 月光菩薩 (Moonlight Bosatsu)

Gachirin (moon disc) with a rabbit pounding mochi (glutinous rice) drawn inside. In Japan, Gakkō is also associated with a hare. People suffering high temperatures or fevers can purchase such talismans or icons (called Gessei manishu 月精摩尼手), which are said to reduce fever and cool the body.

Nikko (Sunlight Bosatsu) & Gakko (Moonlight Bosatsu)
Mark Schumacher

In India's ancient language Sanskrit,
one of the names for the moon is 'sashi', and rabbit is also called as 'sashi' in Sanskrit.


Some more worldwide Rabbit Lore
WKD Library


pounding rice cakes---
a lull between

robert wilson (Philippines)


pounding rice cakes -
midnight temple bells,
New Year guests



cha no mochi

green rice cakes:
family chants to the beats
of a mallet

Chibi Dennis Holmes


pounding mochi
for cakes
instead of wine



Issa and Pounding Rice

From a discussion in Translating Haiku Forum, August 2006

inu no mochi karasu ga mochi mo tsukare keri

one for the dog
one for the crow...
rice cakes

Tr. Lanoue

by Issa, 1819

From my experience in rural Japan, where the pounding of rice is made outside in the farm yard, I can imagine more than one dog and one crow waiting for the cakes to be ready ...

> > > > pounding rice ...
> > > > rice dumplings for the dogs
> > > > rice dumplings for the crows
Tr. Gabi Greve

Sakuo was wondering if the poor farmers of the Edo period really had enough to pound rice and give some leftovers to the dogs and birds. Farmers mostly ate buckwheat and such grains.

To this worry, Larry Bole had the following answer

I think Issa's emotions in writing this haiku are amusement and empathy. I think he has a humorous appreciation of the expertise in thievery displayed by these opportunistic scavengers. We know in advance that at least a couple of the rice cakes we are laboriously making are going to end up with the dog and crow, but even knowing that, we aren't going to begrudge them their share.

And I think there is an underlying empathy in that, by stealing rice cakes, the dog and crow are celebrating the New Year along with us in their own way.

There is another rice cake haiku by Issa which R. H. Blyth interprets in much the same vein:

mochitsuki ga tonari e kita to iu ko nari

"The rice-cake makers
Have come next door,"
Says the child.

Blyth says about this haiku:

"'Mochi' is made from a special kind of rice, boiled and pounded into a [glutinous] mass. Japanese people all enjoy it very much; it corresponds (in feeling, not in taste) to Christmas pudding in Europe and America. Pounding the rice is hard work and needs a very large mallet etc., and specialists, so to speak, go from house to house making it.
Some are too poor to afford it, and of such is the child who is speaking. He runs in to his mother and tells her that the men who make the mochi have come to the house next door. The mother cannot answer; there is nothing to say. They cannot afford it, and other children must have the happiness forbidden to hers. ..."

David Lanoue, on the other hand, translates it and then says:

"The rice cake man
is next door!"
the child announces.

"The reader need not see it this [Blyth's] way. The child bubbles over with excitement and anticipation--feelings that Issa and his adult readers share, as they remember their own childhoods."

Lanoue's reading is more in the spirit of another of Issa's haiku:

ako ga mochi ako ga mochi tote narabe keri

"This is sonny-boy's rice-cake,
This is sonny-boy's rice-cake too."
Piling them up.

tr. Blyth

my child's rice cakes
my child's rice cakes...
all in a row

tr. Lanoue

It's interesting to me that Blyth's interpretation comes at a time when both England and Japan were suffering post-war food shortages, whereas Lanoue's interpretation comes from someone living in a land of (relative) plenty, in one of its most plentiful times.

From reading through the 'rice cake' haiku on Lanoue's translastion site, it seems that besides the New Year, rice cakes are also associated with the Girl's Doll Festival, and with a 12th day of the ninth month celebration honoring Nichiren.

Issa also has several haiku about rice cakes being stolen by dogs in one way or another.
And what are we to make of left-over rice cakes?

There is Matsuo Basho's justly-famous haiku:

uguisu ya mochi ni fun suru en no saki
uguisu ya mochi ni funsuru en no saki

Ah! the uguisu
Pooped on the rice-cakes
On the verandah.

tr. Blyth

A warbler
excreting on a rice cake
on the veranda.

Through an unconventional haikai image, the bird’s excreting, Bashô’s verse breaks drastically with the convention and discovers poetry in the natural and the low. Concerning this poem, Bashô wrote to one of his disciples, Sanpû:
“This poem shows what I have been working on lately.”
source : Basho-and-the-Dao - Peipei-Qiu

a bush warbler
dropped poop on the cookies
at the edge of the verandah

tr. Jane Reichhold

bush warbler--
a dropping on the rice cake
at the veranda's edge

tr. Ueda

Basho is quoted as saying about this haiku [in a letter to Sampu]:

"This hokku shows the kind of innovation [karumi] I am trying to achieve nowadays."

Yamamoto says:
"This hokku presents a scene of moldy rice cakes placed in the sunlight on the veranda several weeks after the New Year. Suddenly a bush warbler flew in from the garden and let a dropping fall. This is an idyllic scene filled with spring sunshine."

Would old, uneaten holiday rice cakes be put out for the birds and other animals to eat?

This hokku has the cut marker YA at the end of line 1.

All haiku about mochi by
. Matsuo Basho 松尾芭蕉 - Archives of the WKD .

Mochi no Hosomichi もちの細道 in Memory of Matsuo Basho


Another Issa Haiku under discussion

kusa no io toshitori mochi o kai ni keri

thatched hut--
the year's last rice cakes
are bought

Translated by David Lanoue
More ISSA Haiku about Pounding Rice

The discussion started with another translation of this haiku

thatched hut--
the aged rice cake
is purchased

Translating Haiku Forum Nr. 853 / 855 / 858 / 864

In former times, it was customary in Japan to add one year to one's life on the first of January (toshitori). Individual birthdays were not celebrated.
to get older, toshi o toru 年を取る

thatched hut -
buying rice dumplings
to grow older another year

(Tr. Gabi Greve)

"yellowtail tuna to pass into the New Year" toshitori buri 年取鰤 is a speciality for New Year in Western Japan.

The use of IO, iori, 庵 the thatched hut
Translating Haiku Forum

mochi tsuki no mochi ga tobu nari inu no kuchi

the fresh rice cake
goes flying ...
the dog's mouth


machinami ya konna io de mo mochi-sawagi

rows of houses --
this house, too, excited
making rice cakes

This hokku is from the eleventh month (December) of 1816, when Issa was away from his hometown on a year-end visit to the greater Edo area, a trip during which he stayed with various haikai poets. The image of rows of houses suggests he was in downtown Edo when he wrote this hokku. The first line also seems to indicate that he's acting just like all the city people in Edo even though he's a visitor now. Issa uses a humble word for "this house," so I take him to mean "the house were I an humbly staying like this." The excitement and energy of getting ready for the new year is intense, so presumably Issa joins in the preparations. On this day the household is making rice cakes of various sizes, including some large ones to be displayed in front of the small house altar to ancestors on New Year's Day before being eaten later. In the small urban backyard some people pound the rice into a soft glutinous mass with a large, heavy wooden mallet while others in the kitchen knead, shape, and smooth the mass into round cakes. People are in an upbeat mood, and sometimes they no doubt shout out encouragement or sing work songs, including songs that invoke the gods and mythical themes as they pound the sticky mass of mashed rice with the big mallet and shape it into cakes.

I don't have a photographic copy of Issa's diary, so I follow the text in Maruyama Kazuhiko, Issa Shichiban-nikki 2.279, which has konna in the second line instead of the donna given in Issa's Complete Works. This reading seems to make more sense, since Issa uses "this humble hut" for the house where he is staying in Edo. This term is reflexive and refers to the speaker in a humble way that is also polite to other people and houses. It is unlikely that Issa would refer to all the houses in Edo as humble huts unless he were literally referring to a very rundown part of the city. Maruyama's text also shows that Issa uses the character 菴 for 'hut,' a character that was commonly used in Issa's time. For those who know Japanese, you can see it has the grass radical at the top, suggesting a classical grass hut. Issa's Complete Works often uses characters that are common in contemporary Japanese instead. In this case, the Complete Works uses the character 庵 for hut, a character that has the house radical at the top.

Chris Drake

. Kobayashi Issa 小林一茶 in Edo .


to my hut too
New Year's arrives...
the zooni vendor

waga io ya ganjitsu mo kuru zooni uri

by Issa, 1817

Zooni, glutinous rice cakes with vegetables, is enjoyed in the New Year's season.
This haiku has the prescript, "In Hatsuchoobori Beggar Quarter, I greet the spring."
Hattchoobori was a district of old Edo (today's Tokyo). See Maruyama Kazuhiko, Issa haiku shuu (Tokyo: Iwanami Shoten, 1990; rpt. 1993) 261, note 1394.
Shinji Ogawa offers this translation:

To my hut
even on the New Year's Day
zooni vendors come

He notes that it is a Japanese custom not to work during the first three days of the year, but in the big city of Edo, zooni vendors were busy as bees.

Tr. David Lanoue

. Kobayashi Issa 小林一茶 in Edo .

Related words

***** New Year's Rice Dumplings
(toshi no mochi 年の餅)

kigo for the New Year

"mirror rice dumplings, kagami mochi 鏡餅
..... a special offering for the gods at New Year. They get very hard, are then split with a hammer and put into soup.
"honorable mirror" rice dumplings, o-kagami 御鏡
"armor plate" rice dumplings, yoroi mochi 鎧餅

"rice sumplings for the ancestors" offered for the ancestors at home
..... gusoku mochi 具足餅

rice dumplings for the new year soup (zooni),
zooni mochi 雑煮餅
Mixed vegetable soup for the new year (zooni, a kigo for the New Year) is eaten on January first in the morning, usually after the first shrine visit and prepared with .. the first well water (wakamizu) .
In Western Japan, it is the custom to add a lot of yellowtail (buri) to the broth of vegetables.
People greet each other on the first of January: What did you eat in your zooni?
After that, no hot food was eaten until January 4, to give the housewive and the kitchen and hearth deities a short holiday.
Click HERE to look at some photos !

New Year's rice dumplings, toshi no mochi, 年の餅
..... made as a gift for neighbours and visitors (we often get our share of these hard presents)

..... even the poor cooked pure boiled rice and pounded rice cake from pure glutinous rice for important meals. Pounded rice cakes (mochi), prepared by pounding steamed glutinous rice with a mortar and pestle, have been indispensable food items for Japanese ceremonial feasts. People thought that the essence — the sacred power of rice — was made purer by pounding, and mochi was believed to contain the "spirit of rice."

Naturally this was and is the most celebrated form of rice and therefore the most appropriate food for feasts. Thus, New Year’s day, the principal annual feast in Japan, sees mochi always consumed as a ceremonial food.

Read more:
Food of Japan, by Naomichi Ishige !!!!!


animal kigo for all winter

usagi 兎 (うさぎ) hare, rabbit
yukiusagi, yuki usagi 雪兎 ゆきうさぎ snow hare

nousagi, no usagi 野兎(のうさぎ)hare
Echigo usagi 、越後兎(えちごうさぎ) hare from Echigo

usagigari 兎狩 (うさぎがり) rabbit-hunting
usagi ami 兎網(うさぎあみ) net for hunting rabbits
usagi wana 兎罠(うさぎわな)trap for hunting rabbits

Rabbits and hares are counted as "ichiwa 一羽, niwa 二羽", like birds with wings, when mentioned in a culinary and literary context. They are eaten by Buddhists, even if they have four legs.
Biologically, they are counted as "ippiki 一匹, nihiki 二匹" one animal, two animals.


CLICK for more photos

kigo for the New Year

Hatsu U (hatsu-u) 初卯 (はつう)
first day of the rabbit/hare

hatsu-u maitsuri 初卯祭(はつうまつり)first day of the rabbit festival
hatsu u mairi 、初卯詣(はつうまいり)visiting a shrine for the rabbit festival
In Edo to the shrine Kameido Tenmangu, in Kyoto to the shrine Iwashimizu Hachimangu, in Osaka to the shrine Sumiyosh Taisha. Also other Tenmangu-Shrines in Japan.
In the year of the rabbit, this visit was especially popular in the Edo period.

u no fuda 卯の札(うのふだ)"rabbit votive tablet" (for this day)
ni no u 二の卯(にのう)second day of the rabbit
san no u 三の卯(さんのう)third day of the rabbit

Kameido Myoogi mairi 亀戸妙義参(かめいどみょうぎまいり)
the special talisman is used as a hair decoration, at Kameido Tenmangu Shrine, Edo.

Festival at all Tenmangu shrines in memory of Sugawara Michizane, who is said to have died on the day of the rabbit, hour of the rabbit.
People buy special talismans to ward off evil for the coming year. Especially for the Emperor and his ladies in waiting, later it became a common festival for all.

. Sugawara Michizane 菅原道真

u no o-fuda 卯の神札(うのおふだ) votive tablet

uzuchi 卯槌(うづち)uzuchi talisman
It was given as a token to the Imperial palace since the Heian period.
It is made from peach wood and strings in five auspicious colors.
It wards off evil influence.

observance kigo for the New Year

uzue 卯杖 (うづえ) stick talsiman
..... u no tsue 卯の杖(うのつえ)
hatsu uzue 、hatsu uzue 初卯杖(はつうづえ)、 first uzue stick
iwai no tsue 祝の杖(いわいのつえ)auspicious uzue stick
uzue no hogai 卯杖の祝(うづえのほがい)
uzue no kotobuki 卯杖の寿(うづえのことぶき)

It was made from holly wood, peach, plum, willow and others, about 1.6 meters long.
Strings in the five auspicious colors were added.
. . . CLICK here for UZUE Photos !


. Amulets from Edo / Tokyo .


Otherwise the hare and rabbit are not kigo.
Rabbit and hare ...
Kigo Hotline, November 2008



. WKD : New Year Ceremonies



-- #mochitsuki #poundingrice


Anonymous said...

pounding rice -
all the school children
in white aprons

Gabi Greve
(c) 2004

Anonymous said...

World Kigo Database

Rice Plant and related kigo

Anonymous said...

meigetsu ya usagi no wataru Suwa no umi

harvest moon--
a rabbit crossing
Suwa Lake

Masaoka Shiki
(translation Beichman)


Anonymous said...


Daruma as a Rabbit !

Wikipedia said...

Chang'e was a human in the mortal world. She was a palace maid. Suddenly, 10 suns appeared in the sky and the earth became very hot.

The king looked for a person with accurate archery skills to shoot down nine of the suns. A commoner called Hou Yi saw that the situation was getting bad. He took out his arrow and bow and shot down the nine suns with nine arrows. the King was pleased and wanted to reward him. Hou yi was in love with Chang'e and wanted to marry her. The king gave her to him as a reward. The two lived happily until one day, a mysterious old man came and gave Hou Yi an elixir that could make him live forever.

Hou Yi hesitated whether to take the pill. He was unsure and left the pill under his pillow on the bed. Chang'e found the pill. She did not know what it was and just swallowed it. Chang'e became immortal and flew to the moon. Hou Yi was devastated and died. People used lit lanterns to
light up the earth so that Chang'e can see them on the Earth.

While she became lonely on the Moon without her husband, she did have company. A jade rabbit, who manufactured elixirs, also lived on the Moon.


Gabi Greve said...

- Kobayashi Issa -

mochi-tsuki ya kado wa suzume no asobidoko

the gate's
a sparrow playground --
humans make rice cakes
This hokku was written on 11/19 in 1805, when Issa was in Edo. Issa died on the same date, 11/19, in 1828 in his hometown. The hokku is about the year-end ceremony or festival of making rice cakes, especially the pounding of steamed glutinous rice into a soft mass that is later shaped into various kinds of rice cakes, most of which will be served at New Year's. Rice cake-making was mostly done in the 12th month, so Issa may be imagining what is about to happen or remembering an earlier ceremony. Usually villagers or those living on a city block would stagger the days on which different rice cake-making ceremonies were held and would gather at one person's house on a designated day and help out with various aspects of the rice-cake making. Pounding the steamed rice was the most spectacular part. It was done with a large wooden mallet in a mortar consisting of an upright stump hollowed out at the top, so it was exhausting, but it was also fun, and children gathered and watched, while those big enough to lift the mallets shared in the pounding process, which was usually done by two people, one of whom pounded with a mallet, while the other continuously moved around the large mass of sticky steamed rice so that every part would be pounded equally. During pounding songs were sung, and shouts of encouragement helped the people doing the pounding and the moving of the rice. The shaping of the pounded rice mass into various kinds of cakes was also part of the ceremony/festival.

In the hokku, Issa looks at the front entrance or gate of one house and sees only sparrows playing around. Normally the area is filled with children and people going in and out, but today it's deserted, and the sparrows play as they like. The humans have all gathered in the backyard to watch or join in the rice-pounding and other cake-making festivities.

Tr. and comment
Chris Drake

Gabi Greve - Darumapedia said...

Ikukunitama Jinja 生國魂神社 / 生国魂神社

Uzue shinji
"Rabbit-staff rite." A rite held on January 15 at Itakiso Shrine in Wakayama City, Wakayama Prefecture. Thirteen sticks of cut bamboo are stuck into cooked rice gruel. The richness or meagerness of the year's crops is divined by how much gruel has gotten into the bamboo sticks. The rite dates back to ancient times; the uzue (staff of the rabbit zodiac sign) has disappeared from the ritual, leaving only its name.
Two festivals are held on January 7—" the day of the seven greens" (nanakusa no hi)— at Ikukunitama Shrine in Tennōji Ward, Osaka. These are the wakabasai (festival of new leaves) in which seven varieties of young greens are eaten to prevent all illnesses, and the uzue matsuri, in which uzue staffs are offered to the kami for protection from demons.
- source : Kokugakuin

about the shrine

Gabi Greve - Darumapedia said...

Usagi pounding rice with moon background
clay doll from Yamagata Folk Art
- 山形県 

Gabi Greve said...

Yokai Katsura otoko 桂男
katsura (Cercidiphyllum japonicum) man, vampire

Katsura otoko is an incomparably beautiful man who lives in the face of the moon. He appears on moonlit nights as gazes back down at those who gaze up at him. His beauty is said to be so enchanting that those who gaze at him find it difficult to turn away, even to their own peril.

Gabi Greve said...

Larry Bole wrote (facebook)
Buson wrote two haiku that allude to the 'rabbit in the moon'. The first one is very indirect:
meigetsu ya usagi no wataru Suwa no umi

the harvest moon--
rabbits go scampering
across Lake Suwa

--Buson, trans. Makoto Ueda.
Ueda attributes this haiku to the year 1771, and says about it: "Located among the mountains in the northwest of Mount Fuji, Lake Suwa freezes over in wintertime, and it has been said that foxes are always the first to run across the snow-covered surface of the lake to establish a path to the other shore. But this is still autumn, and the waves in the lake, glittering silver in the bright moonlight, look to the poet like white rabbits running across it. Could they be the legendary rabbits living on the moon? There is something mythical about the scene."
(from "The Path of Flowering Thorn: The Life and Poetry of Yosa Buson," by Makoto Ueda, pp. 65 - 66)
Photo of this haiku is here

Gabi Greve said...

Larry Bole wrote (facebook):
The other poem by Buson:

suzushisa ni mugi o tsuku yo no Uehi kana

in the cool
a moonlit night of pounding barley
oh, Uehi--

-- Buson, trans. Cheryl Crowley,
from her book, "Haikai Poet Yosa Buson and the Basho Revival" (pp. 68 - 69) Crowley points out that "Uhei" is the name of an elderly temple custodian, who has put off the sweaty work of pounding barley until the cool night. But Buson writes the name with the character for 'rabbit', "which sets off another chain of associations." Here is a link to the online 'google' book. If it doesn't work, maybe I will type out the whole passage. Crowley places the poem around 1741.

Gabi Greve said...

Buson - moon at night and Uhei
Buson writes Uhei 卯兵衛 with the kanji for rabbit 「うさぎ(卯)usagi.









Gabi Greve said...

涼しさに 麦を月夜の 卯兵衛哉
suzushisa ni mugi o tsuku yo no Uhei kana

Gabi Greve - Darumapedia said...

A legend from Toyama 富山県

te no ato 手の跡 traces of a hand
Around 1907, in a family they were 餅焚き grilling mochi rice cakes, when suddenly the shape of a hand appeared on the white.
A priest who had come around for begging told them:
"This is the trace of the hand of Fudo Myo-O, no doubt about it!"
He took three grains of rice from his begging bowl and left. When the family went after him for further information, he was not to be seen . . . he had vanished.
The special Mochi has been venerated in the family ever since.


574 legends to explore about 餅

Gabi Greve - Darumapedia said...

A legend from Ehime Imabari

A family had placed 餅 rice cake offerings for New Year at the grave when a Rokubu passed by. They thought he must be carrying a lot of money, so they killed him and took the money.
But this brought a curse on them and next year and all following years they did not make rice cake offerings. They had to ask other families to provide offerings for them.
And on the 15th day of the New Year they had to make rice cakes and give them to the other families in return.
Rokubu pilgrim legends

Gabi Greve - Darumapedia said...

usagi 兎 / 兔 / うさぎ / ウサギ と伝説 Legends about the rabbit / hare

Gabi Greve said...

Legend from Fukushima - Date town
furu-usu, furuusu 古臼 an old wooden mortar to pound rice
During the flooding of river Abukumagawa an old mortar was flowing past.
A poor villager picked it up and thought he could use it as firewood. Then he saw blood flowing from the mortar, which had not been broken.
He bowed to it in prayer when the mortar spoke:
"I am the deity to help with birth, so please pray to me in this region!"
The villagers purified some lumber and built a small sanctuary.
This is now the Shrine 水雲神社 Suiun Jinja.

Gabi Greve said...

Legends about u no hi 卯の日 the first day of the rabbit

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .